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Some (More) Good Books, Late Spring 2018 Edition

With warm weather upon us, it’s time to stock up summer reading. Here is a batch of some really, really good books – not exactly light beach reads, but worth the effort. There’s some great writing here, good stories, and in some cases, timely topics. Enjoy!

Another Brooklyn, by Jacqueline Woodson ©©©

61Jj1UmUfxL._SX328_BO1,204,203,200_This finalist for the 2016 National Book Award is a luminous and haunting coming of age story set in the Brooklyn of the 1970’s. August and her friends are girls on the brink of adulthood, trying to figure it all out. They are tough and strong, and also painfully fragile.  In their Brooklyn universe they are beautiful and special, with glorious futures await just ahead. But Brooklyn, and the world at large, are dangerous places for ambitious, trusting young girls. As life lets loose on them, their friendships are tested and their futures become far less certain. As is true for so many girls, and even more so for black girls like August and her friends, growing up comes with a cost. Life is not always kind, parents are not always protective or available, and dreams don’t always come true. Beauty and tragedy vie for the upper hand throughout the pages of this powerful novel.

The Sparsholt Affair, by Alan Hollinghurst ©©©

51iHDUWQq7L This sweeping novel takes place over seven decades and multiple generations, with a group of British gay men at its core. The changing attitudes toward homosexuality and morality is what underlies these story of intergenerational friendship, but it also about families, about fathers and sons, about desire and sexuality and secrets, and about art. And it is also about aging, and what happens to secrets and desires and needs as the characters move through their lives, from young adulthood to death, and how people react as the world changes around them.Hollinghurst’s prose is both precise and beautifully equivocating. He uses an inordinate amount of commas and qualifiers within long sentences but the result is satisfyingly human rather than tiresome or vague. He spins a web of words that draws the reader in and deposits you right inside the scene, within the elaborately described rooms or conversations.

51r32jsg7lLElmet, by Fiona Mozley ©©

This finalist for the 2017 Man Booker Prize has an ephemeral feel to it, almost like a movie shot through gauze, or a fogged lens. It takes place in a forest setting, in which a father lives with his son and daughter. The fairy tale allusions are all there — an idyllic setting, a magical relationship to nature, the lack of a mother (all too common in fairy tales after all!), and the sense that danger lurks right at the edges of the light, out of view but there all the same. And so it’s disorienting to realize that the book takes place in the present, not in some faraway time. And the danger is there all right, but no spoilers here. Told after the fact by Daniel, the brother and son, mystery and tragedy are threaded through the telling that only beginning to make sense as more details become clear. Part mythical tale, part contemporary coming-of-age story, the writing in this first novel gains traction slowly, taking on more urgency as it builds.

An American Marriage, by Tayari Jones ©©©

61D-QSBXV+LIf anything could be called a novel for our times, this might be the one. Jones has written an explosively powerful book about a man, Roy, whose life is turned upside down in an instant one night. Roy and his new wife Celestial are staying at a motel when Roy is accused of a crime, and nothing is the same after that. This is a story of America, where the simple fact of breathing while black is dangerous, where a young man who has done everything he can to get ahead in life can suddenly have everything, including the woman he loves, stripped away from him, and where racism has a cascading effect on families and communities regardless of class and level of education. Jones’ writing is taut and careful. Anger simmers under the surface of the narrative but she keeps tight control of the language, even when the characters themselves reach a boiling point.

My Absolute Darling, by Gabriel Tallent ©©

61+iaFRwF-LThis heartbreaking, painful book had me literally covering my eyes at moments as I read it, as if I was watching a movie and couldn’t bear to see what was happening on the screen. Of course that makes no sense when reading a book, but I was so caught up in the story that it felt as if it was unfolding right in front me and I both couldn’t look, and couldn’t look away. Turtle Alveston is a young teenager as the story unfolds. She lives alone with her father, not far from a caring grandfather, in a house in the woods of Northern California that has fallen into disrepair since the death of her mother. Her father takes pride in teaching her how to be self-sufficient, how to use a gun, and how fend for herself. He teaches her to be mistrustful of other people, especially women, and abandons her for periods of time. He is effusive in his  love for her, but he is a mercurial and dangerous character who violently abuses even as he declares his devotion. When Turtle forms a friendship with a boy her own age, her father does all he can to put a stop to it. In the end, Turtle uses the skills she has learned under her father’s tutelage, as well as her own anger and desire to survive, to triumph over victimhood. The lush and lengthy descriptions of nature, the paragraphs upon paragraphs of local foliage and seascapes, is achingly gorgeous, especially when contrasted with the equally comprehensive details of violence and abuse.  This novel shares some things in common with the equally painful A Little Life by Hanya Yanagihara, in that both books deal with incredible abuse both physical and sexual, and the suffering of the young people upon whom this is cruelty is inflicted – if you had a hard time with that book you might want to think twice about this one. But still, despite all that, if you can manage it, this is well worth a read. And this book, unlike Yanagihara’s, offers up the possibly of redemption.

Rating System

©©© – Amazing Book, dazzling, blew me away

©© – Great Book, deeply satisfying

© – Good Book, but I wanted it to be even better

 

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Some Good Books, Summer 2015 Edition

It’s been a great summer of books so far. Here is a roundup of six of my most recent reading adventures. With this edition of Some Good Books, I’m introducing a new feature in my book reviews – a rating system. I don’t want to get too competitive with this. I don’t want to hurt any writer’s feelings (I know how it feels!). And most of all, the books that I review are – with perhaps a rare exception – all good books and all worth reading.  So I’m going to use a rating system of three, as follows:

© – Good Book, but I wanted it to be even better

©© – Great Book, deeply satisfying 

©©© – Amazing Book, dazzling, blew me away

I suspect that most books will be in the ©© – Great Book category, and that only a rare book will be ©©© – Amazing Book,  but we will see.

Early Warning, by Jane Smiley ©©

41vsJlW27nL._SX334_BO1,204,203,200_This second book in Smiley’s trilogy about an American family, following Some Luck, did not disappoint. In fact it was, once again, a distinct pleasure. Like the first book in this series, each chapter is another year in the life of the Langdon family, seen through the experience of one of the extended family members. This volume begins in 1953 with the family now far-flung across the country and only a small handful still left in and around the family farm in Iowa. What was once a nucleus of a family working together to eke out an existence on the land is now a loose collection of related but diverse groups creating their own  narratives, including the next generations of the family. Their encounters with the events of the post-war years spin out in a myriad of ways, and yet there are still threads that connect them deeply to each other, often in surprising cross-generational ways. As in Some Luck, Smiley’s writing can at times seem deceptively prosaic, but the powerful beauty of this family tale shines through as the characters move through their encounters with love, loss, deception, desire, vulnerability, and all of that which makes us who we are in a constellation of others.

Mislaid, by Nell Zink ©

51PsntlX17L._SX328_BO1,204,203,200_I loved the premise of this book, perhaps even more than the book itself. The title is indeed clever. But where it may disappoint (more on that later), it is still worth a read. The plot is a challenge to the easy binaries that make up our collective narrative. Identity and self-representation, sexuality and race, are all thrown into the mix and stirred together into a murky stew. As an adolescent, Peggy aspires to be a man and believes herself to be a thespian, later corrected to lesbian. So she goes to an all-women’s college in rural Virginia, complete with a deeply metaphoric swampy lake of hidden dread.  There she meets an instructor, a louche, penniless gay poet from a local wealthy family. They jump into a sexual relationship, get married, and have two children, a son and a daughter. Because what else would one expect from a lesbian college student and her gay professor (get it, Mislaid??)? Jumping ahead a bit, she leaves him and takes just the daughter with her. The daughter is a blond, wan little girl, but somehow Peggy manages to convince everyone that they are black, so that she can successfully hide their real identities and not get found by her husband. The characters are rich and complex, but without totally spoiling things, I’ll just say that the story gets too easily gift-wrapped up with an unbelievably redemptive happy-ever-after conclusion in which everyone gets let off the hook. Still, definitely lots here to discuss and dissect.

The Sunken Cathedral, by Kate Walbert ©
51zlMF2ZtZL._SX330_BO1,204,203,200_The main character in this novel is anxiety, of the particular New York City kind. The many human beings who inhabit this novel are secondary to the free-floating anxiety that runs through the pages of this book. Anxiety about extreme weather, about a changing city and its changing neighborhoods, about the growing gap between the haves and the have-nots, about growing old and isolated in the city, about finding a way to have a meaningful life in the middle of urban anonymity – all these kinds of anxiety run through this tale. And yes, it made of an anxious reading experience. I wanted more – I wanted the characters to rise up out of the anxiety – but they did not. And yet the idea of a mighty city being at the mercy of forces beyond its control, and thereby being reshaped by forces both within (economics and changing demographics) and without (flooding as a result of climate change) are powerful metaphors for aging. The two main characters, Marie and Simone, are French immigrants who survived the war to come to the United States as young women. Close friends who have both now outlived their husbands and launched their children off into the world, they decide to take a painting class. The others who people this book are their neighbors, their children, and those they meet in the painting class. As New York submits to excess water it cannot control, the lives of these two stalwart survivors too are battered by forces outside of their control.

A God in Ruins, by Kate Atkinson ©©

41EzuQhyFfL._SX321_BO1,204,203,200_This book came highly recommended by someone whose taste in books I respect, and so I dove in. But I admit that I was surprised to like it as much as I did. This story tells the tale of the 20th century through the character of Teddy, first a beloved young boy in England, an aspiring poet, then a pilot in the war, and later as a husband, father, and grandfather. Surprise is indeed a major element in this tale, as Teddy’s life continues to unfold in unexpected ways. Surviving the war, when so many British pilots did not, is one of the main elements that makes Teddy who he is. Having accepted the idea that he might never have a future, he has to figure out how to live in that future. Again and again, he encounters situations he never expected to have to face, and manages to find a way through. There is nothing remarkable about Teddy, yet his kindness and compassion make him a character worth caring about. And then Atkinson plays with us, taking away what she has just given us readers, and poses the very writerly question: what if? What if indeed. That is the question that the writer wrestles with in the privacy of his or her own head, the very core of writing fiction. Writers do not generally expose this question to the reader. But Atkinson puts the question right out there and asks us to wonder along with her: What if…

Life After Life, by Kate Atkinson ©©

41wEB2EBqOL._SX327_BO1,204,203,200_This novel came before A God in Ruins, which was written as a companion to it. But I read them the other way around, and so my reading of this one is informed by having read them in this order. The characters in Life After Life are much the same as in A God in Ruins, though with different focus. The novel centers around Ursula, Teddy’s older sister. Teddy himself appears at certain moments, as do other members of their family. But Ursula is the main attraction. Like A God in Ruins, this novel is a tale of the 20th century told through the story of one person, in this case Ursula. Born in 1910 on a snowy night when the doctor can’t through to the house, she is miraculously saved. Or is she? In fact, she dies before she can draw her first breath. Or does she? Throughout her life, Ursula dies, over and over and over, coming to various experiences and ends, or not. Through the life, or lack thereof, of Ursula, Atkinson explores the ideas of chance and destiny, of the impact that one person has on the world and those around him or her, and the question of what can happen if just the slightest change is made in one’s routine. If “a” happens, does it necessarily lead to a life of “b”? But if one can avoid “a”, then can one avoid “b”? One small act can lead to life of utter misery, or even death, while a different and equally banal act can lead to life of joy. It is the eternal question of the road not taken, and an exploration of how one small choice can cause a life to cascade into a completely different future. Though this kind of device could become kitschy or even annoying in some hands, Atkinson manages it masterfully, and creates a captivating reading experience in which it’s hard to put the book down.

 The City of Devi, by Manil Suri ©©©

41KUOSX-YCL._SX331_BO1,204,203,200_Looking for a Bollywoodesque post-apocalyptic novel set in India complete with Hindu gods and goddesses as well as superheroes (and if you’re not, why aren’t you?!)? Look no further. Just want a great, absorbing book with compelling characters and an unusual plot? This won’t disappoint. This volume, the third in Suri’s trilogy based on Hindu deities, manages to combine both absurdly, almost comically, exaggerated and deeply universal human elements. Told from the point of view of two very different but (as it turns out) related characters, this moving tale unfolds after havoc has been wrecked on the civilized world. A 9/11-like event has occurred on an international scale, creating worldwide instability. Unfettered capitalism, power grabs, religious-based and political-based terrorism, and the undoing of the technological infrastructure have combined to create a desperate situation in which two strangers, Sarita and Jaz, both set out to search for their missing loved one, becoming entangled along the way. Beyond its over-the-top backdrop and its frenetic pace, at its core this is a story of love, survival, and the universal need to create connections.

Coming Up…

Looking forward, the Man Booker Longlist was recently announced. My next edition of book reviews will focus on titles from that collection.  So far, I’ve read 2 and they have been quite good indeed.  In the meantime, happy reading.

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