Category Archives: Publishing

Some Good Books, Summer 2019 Edition

Here are my latest recommendations. This is particularly strong group of books. I hope you’ll find them worthwhile reads as well.

The Guest Book by Sarah Blake   @@

51jQtL80z4LThis is a story about a family, but also about a country, told over several generations. The Miltons are blueboods, the bedrock of America. They are the definition of privilege and noblesse oblige. Civility and honor are prized, along with knowing one’s place – the assumption being that a everyone should know their place and act accordingly. The family patriarch buys an island in Maine in the years preceding World War II, which is the backdrop to much drama and a deeply buried mystery which later gets unearthed by a granddaughter trying to make sense of the past. Blake does a magnificent job depicting the different generations, their relationships to each other, and their experiences of both the island and the family legacy. The island itself comes beautifully to life through the seasons and over the years, with incredibly gorgeous detail of the sea and local plant life and the items in the kitchen and in the bedrooms, the clothes that the characters wear and what each generation is drinking, so that the place itself a main character in this compelling tale. She expertly weaves together the threads of this story that are both highly personal to the Milton family, and also contain reverberations of American history and changing national mores. The personal is truly political here, even as individual family members try over the generations to cover up their complicity. But truth seeps out of the cracks of even carefully constructed lies and omissions, and is eventually uncovered.

Confessions of the Fox by Jordy Rosenberg  @@@

51o0nr39qaLA conceptual novel if ever there was one, for most of the time I was reading this I couldn’t decide if it was brilliant or  insane, or both.  Based on the life of historical characters from 18th century London, Jack Sheppard, a reknown thief and jailbreak, and Edgeworth Bess, a famous prostitute, this novel is a combination of different styles, narratives, and narrators. It is about as queer a novel as is possible, dealing with queer identity and also breaking down boundaries about writing and novels and fiction, and so much more. Ostensibly, this volume is a research project being undertaken by a professor, Dr. Voth, whose career is shaky at best and whose heart has recently been broken. The reader comes to understand that the professor is trans, and that there is much going on in the Dr. Voth’s life beyond this project. The book is divided into two parts. One is a  longlost autobiographical manuscript containing the story of Jack Sheppaard and Edgeworth Bess. The manuscript, which may or not be a hoax,  reveals heretofore unknown information  including that Sheppard had been born a girl, and other ways in which both were masters of gender-transformation and barrier-breakers. The other part of the book are Dr. Voth’s footnotes on the manuscript, which both comment on the manuscript, and within those margins also begin to shape a narrative about the professor’s own life and reality. If this sounds like a dizzying journey, it is. But it is well worth it. This boundary-pushing book is a delicious delight, at times quite funny and at other times heartbreaking. And, yes, it is absolutely brilliant.

A Place for Us by Fatima Farheen Mirza   @@@

516M+tLi0vLMy first thought upon recalling the experience of reading this book is simply to take a deep breath. There is a reverence to this book, a deep respect for the tradition out of which this story comes. In many ways, this book belongs to a genre of stories of immigrants to the United States, with generational differences causing friction between parents and children and struggles over identity and belonging. Within that genre there is a sub-genre to which it belongs as well, the stories of immigrant families from India, with all the particulars of those stories. And while this particular book does belong to that genre and sub-genre, it is so much more. As the family gathers for a wedding, their love for each other comes to the surface along with secrets, anger, and hurts. As the narrative moves from the present to the past, and then into the future, betrayal after betrayal is revealed, and the scars become visible. Yet with all the drama, there is an understated stillness and quietude that threads through the complexity of this family story. Their Muslim faith is in the forefront of their behavior; their beliefs and theology is described in loving ways that allow for struggle and engagement rather than serving as a mere descriptive element. They want to be people of faith, and they are sustained by their faith, even as they worry about not living up to its highest aspirations. I found their struggle to be deeply moving, and the level of complexity with which they struggled to be quite compelling.

Lost Children Archive by Valeria Luiselli @@@
51d7s6xTONLRead this book. Now. Run, don’t walk. This Man Booker Longlisted novel is both urgently of the moment, and achingly timeless. A patched together family of unnamed members, a mother, a father, a daughter and a son, get in a car to drive across America. It is in some ways an epic American road novel of discovery, myth-making, and in this case also myth-breaking. The parents are both involved professionally in recording sounds for the purposes of creating stories and documentaries, though their particular interests are in different areas. The mother, spurred by her distress about lost children in the midst of the current refugee and immigration crisis,  is determined to tell a story about what is happening with children currently trying to enter this country. The father wants to tell the story of the Apache, to examine the reality versus the myth of what happened to the people who were the original inhabitants of this land and for whom we are the ones who came, uninvited and unwelcome. This is a story about the history and future of a particular family, and it is a story about a the history and future of this country. It is heartbreaking, and gorgeously written, with a kind of poetic repetitive beat that drives the narrative even at its most quotidian. But wait – there’s more. The story is told from several points of view, and includes lists, and so many names of books and writers, and a story within the story, and descriptions of photographs, and sounds, so many sounds and echoes of sounds that it feels like a multi-sensory experience as well as one of those never-to-be-forgotten interdisciplinary college classes that dizzyingly ties everything together in ways formerly unimaginable.  A wise friend recommended that I listen to the book rather than read it, something I almost never do with fiction, but I listened to her advice and now I understand why. So that’s my recommendation as well – this is a book to listen to. Try it and you’ll see why.

Unsheltered by Barbara Kingsolver  @
41WSkqxA9DL._SX329_BO1,204,203,200_I love Barbara Kingsolver’s writing but this should have been a better book. I don’t regret reading it. But it seemed as if, because Kingsolver is such a successful author, that it didn’t get the editing it should have gotten. The concept is great. There are two parallel stories occurring in the same place, a century apart, in Vineland, New Jersey. Kingsolver has great material to work with here – Vineland has an interesting history. But the story felt too forced and too much in service about making a point about the state of the world in which we’ve found ourselves today, and the dire consequences that we will facing shortly if we don’t change our ways. In both stories. a literal house and a way of life are falling apart. Can either be saved is the question asked in both stories, and the answer is not a good one in either. But the stories are filled with interesting characters and possibilities for transformation, moments of aching tenderness  and beautiful descriptions of nature. All of that made it possible to get through a book that desperately needed to be shorter and sharper.

 

Rating System

©©© – Amazing Book, dazzling, outstanding, blew me away

©© – Great Book, deeply satisfying, loved it

© – Good Book, but I wanted it to be even better

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Some Good Books – Winter, 2019 Edition

I’ve been busy and am quite behind on posting these book recs but here is the latest batch. There are a lot of wonderful books here, plenty of great stories and masterful writing to keep you warm this winter. Some are even extraordinarily good. Dig in and enjoy.

The Overstory, by Richard Powers    ©©©

61kUJty1grL._SX328_BO1,204,203,200_It is not an exaggeration to say that this book left me gasping. Short-listed for the Man Booker Prize, it had my vote to win but did not. It is hauntingly gorgeous, poetic, despairing but somehow also hopeful. It’s a long read so get ready for the ride but it is completely worth it. Through a series of seemingly disparate stories, Powers weaves a web of interconnectedness between humans and trees. Trees are the real characters here – you’ll never read so much description of trees and be as entranced as you will be in the pages of this eco-novel. There is both metaphoric and literal terror and love shot through the pages of this ambitious, soaring novel. Powers has written a kind of prophetic warning about the long-term and irreparable damage the human race is doing to the earth through the experiences and struggles of a vast array of different human beings. The contrasts he makes between the low-level details of transitory human life and the grandness of the trees of the forest that stretch back in time are masterful and breathtaking. Waste no time – go read this book.

From a Low and Quiet Sea, by Donal Ryan    ©©

414+2llnLeL._SY346_Ryan writes about three different lonely men in Ireland, each one struggling with who he is, the choices he has made, and the impact of those choices on the people he loves. Longlisted for the Man Booker Prize, this quietly powerful novel connects all three men in a surprising denouement that manages to not descend into sentimentality but rather provides a fitting conclusion to the three stories.  The three stories depict different kind of qualities, values, and personalities, not to mention generations, but together form a kind of disquisition on the performance of masculinity and the societal expectations that both afford men power but also limit who they can be. But all of that aside, the writing is taut and beautiful, and the characters, each one grounded in his own time and place and personal history, are memorable.

The Mars Room, by Rachel Kushner    ©©

51+t+lCvurL._SX331_BO1,204,203,200_It took a while to get into the groove of this complicated, tenacious novel, another Man Booker shortlist title, but I got there. Essentially the story of a woman on death row, the story unfolds through multiple charismatic narrators, each of whom has her or his own story to share. It is both deeply empathetic of each of the narrators, no matter what they did to get into the situation that brought them to prison, and unsparing in its detail about the reality of women prisoners.  Each one is a fully realized human, with needs and desires and a history. The main narrator, Romy, a single mom, former stripper, and in jail for murdering a stalker, is particularly sympathetic, an example of how misogyny often punishes women for men’s bad behavior.

The Mermaid and Mrs. Hancock by Imogen Hermes Gowar    ©©©

91PEOvjlH9LThis book, shortlisted for the Baileys Women’s Prize for Fiction, is a cross between a satisfying slice of historical fiction and a delicious fairy tale confection. The details of proper mercantile life in late 18th century London contrast with the life of high class prostitutes seeking security and respectability, all of which is shot through with a golden thread of fantasy when a mermaid appears. The descriptions are rich and luscious, from the interior of homes to the array of mouth-watering sweets to the party decor. This novel deals with big themes like desire and sexuality, and our hunger for wonder and curiosity, but it also draws complex, believable characters who move the story along in sometimes tragic, sometimes heroic, and often unexpected ways. A delight from start to finish.

Eleanor Oliphant is Completely Fine, by Gail Honeyman    ©©

51xwbH9NxcL._SX330_BO1,204,203,200_I’ll admit it — this one took a while but it did eventually grow on me. At first I thought it was too affected and sort of facile, almost mean. But so many people recommended it to me so I kept going, and about halfway through I fell under its spell. Eleanor Oliphant is an unusual protagonist, a rather unlikable main character. But as the book gathered steam she became more sympathetic, and the story became funnier, albeit in a caustic, almost sarcastic way. The mystery of her origins is revealed slowly and surprisingly, and as it did she became more likable and more understandable until I realized, with surprise, that I was rooting for her. Her struggle to come to terms with her past and create an authentic life for herself is deeply moving, and I felt really bad about being so critical at first. This book is definitely worth a read, despite how long it took me to get into it.

Waking Lions, by Ayelet Gundar-Goshen ©©

51Fip-2-gHL._SX331_BO1,204,203,200_Where to start with this book? This was a hard one — a deeply raw, painful story packed with so much that feels familiar, known, and hard to deal with. The landscape, both literally and figuratively, of this story is the desert, that vast liminal placed of wilderness. Specifically, it takes place in  southern Israel, in and around Beersheva. Driving home one late night from a shift at the hospital, a Jewish doctor hits and kills a man. He drives away, but his actions were witnessed by an African refugee woman. Soon he is under the control of this woman, living a secret life separate from that of his policewoman wife and their children. Though some elements of this story are specific to Israel and deals with its issues about identity, belonging, place, power, and the details of Israel’s African refugee issue, in many ways this is a universal novel of immigration, the having or not having of agency, and what it means to be “an illegal” anywhere. The translation feels uneven at times, but this is a powerful and important book.

Warlight by Michael Ondaatje    ©©

41hW+nDBJ7L._SX360_BO1,204,203,200_In this beguiling tale of memory, secrets, deception, and love, Ondaatje builds a story out of murky details and hidden identities. In post-war London, two teenagers are left more or less on their own when their parents take off, ostensibly because of their father’s job. Some shadowy adults are ostensibly left to care for them but they are mostly left to their own devices, or so they believe. They experience a different kind of life than they otherwise would have, one that includes an eccentric group of adults revolving through their living room, late night canal trips, smuggling greyhounds and perhaps other items as well, adventures in forests, and romantic interludes in empty houses.  The whereabouts of their parents is a mystery that slowly unravels as the book progresses and the main character, Nathaniel, grows up. Without giving anything away, he comes to learn who his mother really was, and what her role was both during the war and in its aftermath. The book advances quietly, revealing small pieces at a time and introducing a fascinating cast of characters as it conjures up Nathaniel and his sister Rachel’s experience both during the time their mother is away and then upon her return, as well as their mother’s secret life without them.

Rating System

©©© – Amazing Book, dazzling, outstanding, blew me away

©© – Great Book, deeply satisfying, loved it

© – Good Book, but I wanted it to be even better

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Some (More) Good Books, Late Spring 2018 Edition

With warm weather upon us, it’s time to stock up summer reading. Here is a batch of some really, really good books – not exactly light beach reads, but worth the effort. There’s some great writing here, good stories, and in some cases, timely topics. Enjoy!

Another Brooklyn, by Jacqueline Woodson ©©©

61Jj1UmUfxL._SX328_BO1,204,203,200_This finalist for the 2016 National Book Award is a luminous and haunting coming of age story set in the Brooklyn of the 1970’s. August and her friends are girls on the brink of adulthood, trying to figure it all out. They are tough and strong, and also painfully fragile.  In their Brooklyn universe they are beautiful and special, with glorious futures await just ahead. But Brooklyn, and the world at large, are dangerous places for ambitious, trusting young girls. As life lets loose on them, their friendships are tested and their futures become far less certain. As is true for so many girls, and even more so for black girls like August and her friends, growing up comes with a cost. Life is not always kind, parents are not always protective or available, and dreams don’t always come true. Beauty and tragedy vie for the upper hand throughout the pages of this powerful novel.

The Sparsholt Affair, by Alan Hollinghurst ©©©

51iHDUWQq7L This sweeping novel takes place over seven decades and multiple generations, with a group of British gay men at its core. The changing attitudes toward homosexuality and morality is what underlies these story of intergenerational friendship, but it also about families, about fathers and sons, about desire and sexuality and secrets, and about art. And it is also about aging, and what happens to secrets and desires and needs as the characters move through their lives, from young adulthood to death, and how people react as the world changes around them.Hollinghurst’s prose is both precise and beautifully equivocating. He uses an inordinate amount of commas and qualifiers within long sentences but the result is satisfyingly human rather than tiresome or vague. He spins a web of words that draws the reader in and deposits you right inside the scene, within the elaborately described rooms or conversations.

51r32jsg7lLElmet, by Fiona Mozley ©©

This finalist for the 2017 Man Booker Prize has an ephemeral feel to it, almost like a movie shot through gauze, or a fogged lens. It takes place in a forest setting, in which a father lives with his son and daughter. The fairy tale allusions are all there — an idyllic setting, a magical relationship to nature, the lack of a mother (all too common in fairy tales after all!), and the sense that danger lurks right at the edges of the light, out of view but there all the same. And so it’s disorienting to realize that the book takes place in the present, not in some faraway time. And the danger is there all right, but no spoilers here. Told after the fact by Daniel, the brother and son, mystery and tragedy are threaded through the telling that only beginning to make sense as more details become clear. Part mythical tale, part contemporary coming-of-age story, the writing in this first novel gains traction slowly, taking on more urgency as it builds.

An American Marriage, by Tayari Jones ©©©

61D-QSBXV+LIf anything could be called a novel for our times, this might be the one. Jones has written an explosively powerful book about a man, Roy, whose life is turned upside down in an instant one night. Roy and his new wife Celestial are staying at a motel when Roy is accused of a crime, and nothing is the same after that. This is a story of America, where the simple fact of breathing while black is dangerous, where a young man who has done everything he can to get ahead in life can suddenly have everything, including the woman he loves, stripped away from him, and where racism has a cascading effect on families and communities regardless of class and level of education. Jones’ writing is taut and careful. Anger simmers under the surface of the narrative but she keeps tight control of the language, even when the characters themselves reach a boiling point.

My Absolute Darling, by Gabriel Tallent ©©

61+iaFRwF-LThis heartbreaking, painful book had me literally covering my eyes at moments as I read it, as if I was watching a movie and couldn’t bear to see what was happening on the screen. Of course that makes no sense when reading a book, but I was so caught up in the story that it felt as if it was unfolding right in front me and I both couldn’t look, and couldn’t look away. Turtle Alveston is a young teenager as the story unfolds. She lives alone with her father, not far from a caring grandfather, in a house in the woods of Northern California that has fallen into disrepair since the death of her mother. Her father takes pride in teaching her how to be self-sufficient, how to use a gun, and how fend for herself. He teaches her to be mistrustful of other people, especially women, and abandons her for periods of time. He is effusive in his  love for her, but he is a mercurial and dangerous character who violently abuses even as he declares his devotion. When Turtle forms a friendship with a boy her own age, her father does all he can to put a stop to it. In the end, Turtle uses the skills she has learned under her father’s tutelage, as well as her own anger and desire to survive, to triumph over victimhood. The lush and lengthy descriptions of nature, the paragraphs upon paragraphs of local foliage and seascapes, is achingly gorgeous, especially when contrasted with the equally comprehensive details of violence and abuse.  This novel shares some things in common with the equally painful A Little Life by Hanya Yanagihara, in that both books deal with incredible abuse both physical and sexual, and the suffering of the young people upon whom this is cruelty is inflicted – if you had a hard time with that book you might want to think twice about this one. But still, despite all that, if you can manage it, this is well worth a read. And this book, unlike Yanagihara’s, offers up the possibly of redemption.

Rating System

©©© – Amazing Book, dazzling, blew me away

©© – Great Book, deeply satisfying

© – Good Book, but I wanted it to be even better

 

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Some Good Books, Fall 2017 Edition Part 1

The weather is getting cooler and the days are getting shorter, so it’s time to lay low and dig in to some good books. Here are some recommendations from my last batch of reading, with more coming in a separate post soon. I’ve been trying to make my way through the Man Booker shortlist, so the first three here are from that list, along with two others. (Full disclosure: I didn’t read the winning book – maybe more on that in a subsequent post.) Enjoy!

4 3 2 1  by Paul Auster 
41wb0c9MpVLThis magnificent book left me speechless by the end.  Shortlisted for the Man Booker, this novel is impressively muscular, bold, and massive in scale. It’s also very male (yes, there are female characters but they’re always assessed by how much the main character wants to sleep with them), not what I usually love. But love it I did. This is a huge novel, both in terms of page count but also ambition. Auster begins with a character, a sort of Jewish American everyman, born to two parents, grandson to grandparents, none of which is particularly remarkable. Their family history is recounted, including how their family name is arrived at, based on an old Jewish joke we’ve all heard. But from there it gets really interesting, if at moments somewhat confusing (keep plugging through – don’t give up!). Each subsequent chapter is divided into four, as in 1.1, 1.2, 1.3, 1.4, and so on. Each of those four subchapters is a different trajectory of the life of the main character, four different possible routes through life he could have traveled, depending on circumstances, choices, and quirks of fate. There’s a pinch of Philip Roth, a little John Updike, even some Forest Gumpian travels through American history with the main character being in just the right place at the right moment. Though it may sound contrived, Auster is a master and in his hands this construct is heartbreaking, engaging, funny, and poignant. And by the conclusion, he has brought it all together so elegantly so that it suddenly all makes sense. Don’t be put off by the size – the effort is well worth it. ©©©

History of Wolves, by Emily Fridlund

51nKDlBJFKLA Man Booker shortlist title, this is one weird, fairytale-like novel. Written in an almost-but-never-quite-confusing elliptical style that wraps around itself in the telling, this is both  a coming of age story of Linda, a young teenager living a solitary, rural life at the edge of a lake in Northern Minnesota, and also a story about parenting, and how parents do, or don’t, take care of their children. Linda’s parents are former members of a failed commune who stayed on when everyone has left. She lives on a dirt road edged by sumac trees and spends a great deal of her time alone, in the woods or in a canoe. There are two tales of possible wrongdoing at the heart of the plot – a pedophile teacher on whom she develops a strange obsession, even a fondness, and a family of city people who come to stay at their country cabin across the lake with their four year old son Paul. There are hints right from the beginning that tragedy is going to strike, with mentions of a future trial in which Linda will play a role. As the story spins out, with glimpses along the way of Linda’s adult life, she tests out ideas about friendship, loyalty, love, and sexuality. This book is delicately beautiful, in a way that seems like it might crumble when touched, and yet there is a tough center at the heart of it that holds it all together. ©©

Exit West, by Mohsin Hamid 

5158SOMkg7LHaving read this long before the Man Booker list was published, I was thrilled to see it wind up on the shortlist (its also a finalist for the Kirkus Prize). This hauntingly gorgeous novel could not be more timely, which is quite a feat given how long it takes to write and publish a novel. This one too had a fairy tale quality to it – almost like a modern day refugee version of Hansel and Gretel. Nadia and Saeed are two young people who meet in a city in a middle eastern country. At first their lives are almost recognizably universal as they study, work, smoke pot, and become increasingly intimate. But things change quickly as the unrest of civil war dramatically changes the landscape of their city and their lives. Soon their lives have turned upside down as they deal with checkpoints, violence, scarcity, and fear. Like so many others in that situation, they decide they have to leave and get out to the West, and they discover a network of secret doors that lead to other countries. The technique of metaphoric made real employed by Hamid is similar to the model used in Underground Railroad by Colson Whitehead in which he envisions an actual railroad running underneath the ground to take slaves to safety. There are no boats or planes or weeks of walking to get to the West, here there are actual doorways that open up onto new vistas and possibilities, though not always with expected outcomes. Nadia and Saeed make their way through several landings as they cope with the uncertainty of life as unwanted strangers. Each exit and entrance changes them, and they painfully figure out how become themselves in the process. ©©©

Anything is Possibleby Elizabeth Strout 

51aLxQqr2ILIt’s always a good day when there’s a new Elizabeth Strout book published, and this one is based on a particularly delicious construct. In her most recent book before this one, My Name is Lucy BartonStrout wrote about a woman who had left a troubled family background to move to New York, where she marries, has children, and eventually winds up in the hospital. While in the hospital, her estranged mother comes to visit her and they talk about people they know from back home. This novel, Anything is Possible, is about those people whose names dot the pages of My Name is Lucy Barton, as does Lucy herself. This book is really a collection of loosely connected stories about all the different people spoken about by Lucy and her mother, including her sister and brother. And many of the stories recounted here connect in different ways to Lucy and the persona of Lucy, that is, someone who left their hometown to go to New York and write books, someone who “got out.”. There is even a reference to a character going into a local bookstore and seeing Lucy’s book, with the cover described exactly as the actual cover of My Name is Lucy Barton. Strout has created a complete ecosystem with these two books that ping off of each other. But even without the connection to My Name is Lucy Barton, these tales are beautiful, moving, and so intricately, precisely, heartbreakingly crafted. ©©©

Stay With Me, by Ayobami Adebay0

41AWMZPIADLSet in Nigeria, this energetic first novel tells the story of a marriage from the perspective of both the wife and the husband. Yejide and Akin meet as students and fall in love, despite familial and societal pressures that might keep them apart. And yet a simple romance this is not. There is a secret, or really a series of secrets, at the heart of this marriage that is revealed little by little as the story progresses, and it is only at the end that all becomes clear. It is above all a love story of two people trying to protect each other and themselves, a story of passion and shame and the falsehoods we tell in order to keep everything from crashing down around us. And as the narrative switches perspectives back and forth, it is also a tragic story of how much can go wrong between women and men when pride and customs and historic cultural norms and gender roles get in the way of trust and open communication. The writing is full of beautiful descriptions of longing and sensuality, the way people look at and see each other, and what happens over time as a result of deep anger, grief, and hurt. I look forward to seeing more from this author. ©©

Rating System

©©© – Amazing Book, dazzling, blew me away

©© – Great Book, deeply satisfying

© – Good Book, but I wanted it to be even better

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Some Good Books, Fall 2016 Edition Part II

Sometimes escaping into a good book is just the right thing to do. To that end, here are some good books to explore as the weather gets colder and the world gets darker. Unintentionally, there are interconnected themes in this particular group of books which make them interesting to read back to back. There’s a lot about mothers and daughters, or the absence of mothers and what that does to daughters. There are also connected threads about what it is to be a girl, and what it is to be an adult woman. And in the midst of all that, there’s one very brawny, very masculine book. There’s so much work to be done in the world, but time to renew and refresh the soul and the imagination is important too. Grab a blanket. Dig in.

The Summer Without Menby Siri Hustvedt  ©©©

41ovnmq2uel-_sx337_bo1204203200_Poet Mia Frederickson is forced to re-examine her life after her husband of many years surprises her with the news that he wants to take a break from their marriage. After a breakdown and hospitalization in a psychiatric ward, Mia goes to spend the summer in her hometown near her mother, a resident in a senior home. The book brings together interwoven strands of Mia’s life that summer, as she gets to know women at different moments of the life cycle. There is her mother’s group of friends at the home, known as the Five Swans, fiery, creative, and opinionated women at the end of their lives who have created a new community with each other out of loss and change, one of whom Mia creates a particular bond with. There is her younger neighbor, a mother of two small children in a bad marriage to an angry, mostly absent man. And then there are Mia’s poetry students, a group of adolescent girls who prey on each other’s vulnerabilities while trying to articulate their angst and aspirations. It is all of these women, as well as Mia’s daughter back home, who are present in the summer landscape of Mia’s life as she tries to pick up the pieces and figure out what comes next. As the title indicates, men are offstage, though the shadow of Mia’s husband looms large. So too does another disembodied male, Mia’s mysterious philosphically-inclined texter. This brainy, literary novel is full of well-placed references to books and poetry, but it’s really about the texture of women’s lives, and the role of men in those lives.

Hystopiaby David Means  ©©©

51sgtorydgl-_sx331_bo1204203200_This Man Booker longlist title is a hard but rewarding read. This is a book within a book, ostensibly written by returned Vietnam vet Eugene Allen who needs to find a way to give voice to his wartime experience as well as personal pain. The period is the late 60’s, and JFK is still the president, having survived several attempts on his life. The country, like its president, is wounded and grim, hopelessly enmeshed in Vietnam for the foreseeable future. The government has established the Pysch Corps, an agency assigned with managing the mental hygiene of a traumatized nation. An complicated system, involving drugs and therapy, has been developed to help returning soldiers deal with their horrific memories and emotional scars. Meanwhile Michigan has been set aside as a territory for those vets too shattered by their Vietnam experiences to function in open society. The plot is complicated and circular, but the themes of freedom, memory, and trauma create a powerful vision of the destruction we cause not only to those we fight in wars in faraway lands but also in our own society while at war. There’s a macho, muscular quality to this novel which fits well into the war novel genre, but underneath that is some real tenderness.

The Mothers, by Brit Bennett ©©©

51n7sl28jyl-_sx329_bo1204203200_

This soaring first novel by Bennett is, as the title reveals, about mothers. The lack of mothers, poor mothering, the inability to be a mother, good mothers, communal mothers, the choice not to become a mother, the unexpected reality of motherhood. All kinds of mothers dance through the pages of this novel about Nadia Turner, a now motherless teenager about to go off to college. Nadia’s mother has abandoned her, taking her own life without even leaving a note or a clue to why. Nadia knows that her mother’s own life took a sharp turn when she accidentally became pregnant with Nadia, and she is tortured by the idea that she was her mother’s undoing. Their church, the Upper Room, is the center of their small black community in Southern California. Nadia’s father is a regular at the church, where there a group of older women, the mothers, who look after the community. Their voices form a kind of Greek chorus throughout the book, commenting on what they say and what they think they know. Nadia has a summer fling with Luke, the pastor’s son, who walks away from her when she becomes pregnant. This sets off a chain of events that impacts on many lives around them. During that last summer at home before she sets off for the rest of her life, making it out of the community due to her intelligence and good grades, she becomes fast friends with Aubrey, another motherless girl. But their lives are full of secrets that grow in the spaces left by their unmotheredness, until the secrets spill out and threaten the stability not only of their lives but of the lives of the church and the community. Bennett has created a compelling story and strong characters, and there are some amazing lines that make the whole book worth it even with those other plusses.

The Girlsby Emma Cline  ©©
517fj1m6rjl-_sx331_bo1204203200_Evie Boyd is a bored, awkward teenager in California in the late 1960’s.  Her parents are wrapped up in their own post-divorce lives, and don’t have a lot of time for her. Meanwhile the wold is in upheaval and societal norms are being questioned out beyond the confines of Evie’s existence. She yearns for something more meaningful than her mercurial friends and the embarrassing crush she has on her best friend’s older brother. When she comes across a group of older girls living in a nearby commune led by a charismatic man, she is attracted to the thrill of being part of their group. She is drawn to their abandonment of norms, and their aura of freedom. There is one girl in particular who fascinates her, Suzanne, on whom she develops an obsessive crush. She so wants her approval and attention that she will do anything Suzanne asks. Craving acceptance and nearness to Suzanne, Evie becomes increasingly drawn in to the group and their unique approach to right and wrong. What starts with a sense of summer-camp like fun becomes increasingly desperate and dangerous, until she winds up in the middle of the kind of horror from which there is no coming back. This novel manages to both portray the quotidian loneliness of a teenage girl and her desire for approval, while also depicting the kind of group-think that leads to acts of terrible violence.

Eileenby Ottessa Moshfegh  ©©

51pxzi2ebdl-_sx328_bo1204203200_Shortlisted for the Man Booker Prize, this strange, creepy novel was a gripping read. On the very first page the narrator tells the reader that this is story of how she disappeared. There is no suspense, therefore, in the final outcome, but there is great suspense in the how and why. The main character, Eileen Dunlop, lives with her abusive, alcoholic father. He is delusional, a retired cop who sees people out to get him in the shadows. He can’t be trusted to go outside and so Eileen hides his shoes in an attempt to keep him at home, running out to the liquor store as needed to keep him well-suppplied with gin. Their life together is one of misery, played out against a backdrop of Eileen’s mother’s death, a disgustingly dirty house, mean spirited conversation and accusations, and repressed urges. Eileen works as a secretary at a private correctional facility for boys, where she is essentially ignored and overlooked. Her friendless life is about as grim as possible until a new teacher arrives at work. Rebecca Saint John is everything Eileen is not – beautiful, charming, captivating. Eileen is completely taken in by Rebecca’s attentions. She is so enthralled, hungry for companionship, and flattered by Rebecca’s interest in her that she gets pulled in to a scenario beyond her control. That fateful event provides the spark that Eileen needs to instantly leave her life behind forever. It is only as a much older woman that, as the narrator of this story, she looks back and remembers what was.

Hot Milkby Deborah Levy ©©

51fjvtjak1l-_sx329_bo1204203200_This novel about a tortured and torturing relationship between a mother and daughter was another Man Booker Shortlist book. Reading this book was a claustrophobic experience, which may admittedly say more about me than the book itself, but it was not a pleasurable read. But I can see why it’s gotten so much praise. This is a textured, smart book about the power of mothers over daughters, and about the need for daughters to break free. Sofia is a mess, an anthropologist whose life is stalled. She spends her days caring for her mother’s endless maladies and trying to figure them out. These maladies are described in such a way that it really isn’t clear whether her mother is indeed quite sick physically, or if the issues are primarily psychological – and it doesn’t really matter because either way, her mother is in charge. Her mother, abandoned by Sofia’s father, can’t walk, among other things. She has literally lost the ability to move forward without Sofia’s help. They travel to a special clinic on the sunny coast of Spain for treatment, and while there Sofia begins to consider her own needs and write her own future. The deeply stifled rage of each of the main characters radiates off the pages. That this was a painful read surely attests to the power of the writing.

Rating System

©©© – Amazing Book, dazzling, blew me away

©© – Great Book, deeply satisfying

© – Good Book, but I wanted it to be even better

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Some Good Books, Spring 2016 Edition

It’s been a rainy few days and we all know there’s nothing better in the rain than settling in with a good book. Here is a round up of some recent good books I’ve spent some time with.  This is a mixed bag of some newer and some not-as-new titles, but all were good reads. See below for more info on the rating system. Happy reading!

The Children Act by Ian Mcewan   @@@

51UJmXPQY2L._SX320_BO1,204,203,200_This one is a breathstopper. The writing is gorgeous, and the plot thick, complex, and engrossing. Fiona Maye is a family court judge in London in the midst of a complicated case involving a very sick young man who has not quite reached the age of majority and whose parents do not want him given a life-saving blood transfusion for religious reasons. She must grapple with the intricacies of the case as her husband of many years leaves her for another (younger) woman. Fiona is a densely written character who thinks intensely about the ethics of this case and others. Mcewan deftly takes readers on a journey into a fascinating legal mind that is driven by fairness, a sense of integrity, and a love for the law at its best. As she struggles with what it means to be a successful, childless woman who has prioritized her career over other kinds of choices, Fiona must also face the aftermath of her decision in the case of the sick young man. What does success mean when your husband goes looking for something/someone else? How can she tell strangers how to live their lives when her own is a mess? How can she adjudicate relationships between parents and children when she has none of her own? What does her own happiness mean and how can she realize it? Who has the right to decide whether someone lives or dies, and what must she do with that power? Mcewan gives his readers a lot to think about in this powerful novel that weaves together the personal and professional in a powerful way.

 

Mayumi and the Sea of Happiness by Jennifer Tseng   @@@

51Y+A2dOhQL._SX319_BO1,204,203,200_Tseng took a dive into the deep end in this novel about a middle aged woman’s need for intimacy and sexual fulfillment. (Ok, middle aged might be a bit of a stretch – she is in her young forties but refers to herself as middle aged). Mayumi is a part-Japanese librarian living year round in a New England island summer community that expands in the summer and contracts in the winter. The island and sea metaphors run deep throughout this novel and highlight Mayumi’s solitude. She is in an unsatisfying marriage with a man with whom she barely interacts. He sleeps alone in one room, and she sleeps with their young daughter, Maria. One day a teenager walks into the library. Mayumi quickly develops a  crush on him, and sets out to interact with him as much as she can. She craves any contact she can have with him, even if it is just checking out his books, or making a reading recommendation. She meets his mother as well, and they become friends of a sort. Her one sided crush on him sustains her for a while, and provides her with a much needed refreshed sense of hope and interest in life. Needless to say, Mayumi and the boy eventually embark on a secret sexual relationship. This is a book that takes women’s sexuality seriously. The narrative about their physical relationship is told only from Mayumi’s side. With some initial coaching and encouragement, he is able to bring her great satisfaction. One of the fascinating things about this book is that it tells a story rarely told – that of an older woman seducing a young man, a sort of Lolita in reverse. And Lolita, the book, indeed plays a role in this tale, as do many other well known novels that this literarily-inclined character refers to throughout. Mayumi does worry about the ethics of what she is doing, but her drive to be with him and to find pleasure is stronger than any sense of wrongdoing. What is also fascinating in this novel is the language used to express sexuality. Unlike the typical phallic references, subtle and otherwise, that we are familiar with from the vast body of the male canon, Tseng plays with creating a woman-centered imagery, in which windows and door become sexual metaphors, and triangles dot the descriptive landscape. Go, run, read this book!

 

41xgKh4KBKL._SX336_BO1,204,203,200_My Name is Lucy Barton by Elizabeth Strout   @@@

Another exquisite novel by Elizabeth Strout. As always, her writing is spare and precise. With few words, she creates a world. Lucy Barton is laid up in the hospital after what should have been a quick and easy procedure. Days turn into weeks and she still cannot return to the home she shares with her husband and daughters. Her estranged mother comes to visit, and the past becomes entangled with the present. This is a quiet story that contains deep emotion right below the surface. Old longings and frustrations peak through the seams. Even in this diminished state Lucy cannot get what she wants from her mother, and cannot redeem her past. The loneliness of late afternoon vistas from hospital windows is interwoven with threads of hope, gratitude, and determination as Lucy Barton considers her past, present and future; in other words, her self.

 

After the Fire, a Still Small Voice by Evie Wyld   @@

51sNj07dgfL._SX323_BO1,204,203,200_I was motivated to read this after reading another book by Wyld, All the Birds Singing (reviewed here in 2014). After the Fire is is her debut novel (and for my rabbinic friends I’ll just say despite the biblical title, this is not a Jewish-themed book) but I was so taken with her elegantly constructed writing that I wanted to try another one. This novel was not as ambitious as All the Birds Singing, but it did not disappoint. Set in the wilds of eastern Australia, there are two main characters with different story arcs. It is not clear until the very end how the stories, and the two characters, Frank and Leon, are connected. At the start, Frank has just been left by a woman and sets out in search of a new beginning back at a cabin that once belonged to his grandparents. Leon is the son of a baker and his wife, immigrants to Australia who eventually leave their son to manage on his own as they set out on a post-war journey of their own. Both are men in search of love and connection, even as they are bruised, solitary figures, flawed survivors of damage only barely hinted at. In both stories, the past rises up to be dealt with, and the jagged edges are intertwined with tenderness.  The cabin is a character of its own, an attempt to create home and order in the midst of chaos. And in the end, the two stories bump up into each other without, thankfully, a neat resolution. This is a writer worth watching.

 

Tomorrow There Will Be Apricots by Jessica Soffer   @

51EC+5Zc0dL._SX330_BO1,204,203,200_That this novel had to do with both Iraqi Jews and with food intrigued me. I will confess it was a slow start and I almost abandoned it. The food parts of the book were great, yes, but the story seemed at moments disjointed and way too pat. The main character, Lorca, is an adolescent girl in tremendous emotional pain. Severely unmothered, she seeks ways to make her mother, a celebrated chef, notice her and be grateful for her. She sets out to make what her mother has said is her favorite dish of all time, a fish dish called masgouf. For a time the book has a YA feel to is, a tortured coming of age story with painful details and angst but without a lot of depth. This is not by any means a happy story, but even so, the lucky coincidences seemed to pile up too fast and too neatly. But then it takes a turn which makes it much more interesting; it turns out that this is not actually about coincidences at all but about the power and pitfalls of wishful thinking, and about finding love where you can get it. Despite what it seemed like at the beginning, there is no magical happy ending, not everything gets resolved, and redemption is still somewhere in the distance. In the end, it was worth the read. And as an added bonus, the fish recipe central to this tale is included at the back.

Rating System

© – Good Book, but I wanted it to be even better

©© – Great Book, deeply satisfying

©©© – Amazing Book, dazzling, blew me away

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His Brother’s Keeper – A Table of Contents

For several months, I have been sharing my blog with His Brother’s Keeper, a fictional mystery series by Eva Hirschel, set in 2000, in New York. (Since Eva doesn’t have a social media presence, I’m giving her a hand).

Some readers have asked for a linked Table of Contents to His Brother’s Keeper, because this mystery has so many chapters.  Here it is. (Unlinked chapters have not yet been published).

IMG_1578Part I

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Part II

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Part III

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Thirteen

Chapter Fourteen

 

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His Brother’s Keeper, A Mystery Series – Part 1, Chapter Ten

Welcome to His Brother’s Keeper, a fictional mystery series set in 2000, in New York. I’ve decided to periodically lend my blog to a friend, Eva Hirschel. Eva doesn’t have a social media presence but she does have a mystery that she wanted to publish serially on-line, so I’m giving her a hand. (If you’re just tuning in now, I suggest that you start at the beginning). Here is Part I, Chapter 10. Enjoy!

Chapter Ten

IMG_2489The trip to Altoona was uneventful, or, as uneventful as long trips can be with small children. We left Brooklyn at 6:30 in the evening, partly because I wanted to get some work done in Altoona during the next day, and partly because we figured the kids would sleep in the car. They did, eventually, at about eleven o’clock and after more songs, snacks, bathroom stops and stories than I cared to remember. I had brought along a collection of Jewish folktales that my parents had given the kids for Chanukah. I was surprised to read in the back of the book that many of the stories had Chasidic roots and some were even attributed to the Baal Shem Tov himself. The kids particularly liked one story about an illiterate shepherd boy who can play the flute but can’t read a word of the prayer book. He goes to synagogue and is devastated to realize that he can’t pray. So instead, he plays a song on his flute to God. The other congregants are scandalized by his impropriety, but in the end the boy triumphs when the rabbi declares that the music he made with the flute was a prayer that went straight to God because it came from the boy’s heart. It seemed to sum up what I had read about Chasidism, with its embrace of the poor and uneducated masses and allowing everyone access to God through expressions of heartfelt joy.

It was a long trip, almost seven hours with all the stops. When we finally got to the hotel, checked in, carried in the sleeping kids and the bags and pillows, Simon and I had collapsed in our bed and fallen right asleep. I still hadn’t found the right opportunity to tell him the details about yesterday’s meeting with Sarah Gelberman.

In the morning, the first stop was the town clerk’s office. I left Simon back at the hotel with the kids, on their way to the heated indoor pool. Altoona was a small city in Western Pennsylvania, not far from one of the Penn State campuses, which had reached its zenith during the height of the steam railroad’s dominance in industry in the forties. While there was clearly an effort towards rehabilitation going on, it was also clear that the downtown had seen better days. The city clerk’s office was located in a small, nondescript municipal building downtown that, according to the sign in the lobby, housed Altoona’s Department of Taxation, the City Manager, the City Solicitor, The Purchasing Department, the City Inspector, the Zoning Department, the Water Authority and the Water Billing Office.

The clerk’s office was on the second floor, up a wide staircase. A black door with a brass sign next to a water fountain announced, “City Clerk.” I opened the door and entered a large, drafty room. Inside was a row of chairs facing a low railing. Behind the railing sat a middle-aged woman at a battered metal desk, entering information into a computer. The rest of the space behind her was taken up with rows and rows of filing cabinets and steel shelves of boxes labeled by number. In one corner was another woman, also working intently at a computer. On the left was a bank of offices, to which the frosted glass doors were closed. Sunlight filtered in through dingy arched windows at the back of the aisles. The woman at the front of the room looked up at me, her teased blond hair and red lipstick the brightest things in this drab room. The nameplate in front of her computer informed me that she was Mrs. A. Romero.

“May I help you?” she asked politely, glancing back at her screen.

“Yes, hi,” I began. “I’m doing some research and I need information on a former resident of Altoona.”

“Alive or deceased?” she asked mechanically.

“Alive,” I said.

She cocked her head slightly, looking in my general direction. “Well, honey, if the person is alive there is very little I can do for you, ‘cept what’s public domain.”

“Yes, I know. That’s fine. That would help. What I’m looking for specifically is a teaching certificate.”

She frowned, looking quickly over her shoulder to the row of offices behind her. “Now, this isn’t about a lawsuit of some sort, is it?”

I smiled, trying to look as innocuous as possible. “No, no, not at all. I’m a genealogist, trying to track down some information for a client, whose grandfather used to live here. It’s a surprise for his birthday, so I can’t ask him directly.”

Pushing her chair back from her desk, she looked up at me with interest. “Well, isn’t that the sweetest thing. My husband is working on his family tree. It’s a lot of work, but soooo interesting. Now what’s the name of this former Altoona resident of yours?”

“Jack Gelberman,” I said.

A smile broke out on her face. “Gelberman? And you say he was a teacher? A man in his mid-seventies or so, it would be?”

I nodded, holding my breath. Could she have known him? That kind of coincidence only happened in books.

“Why, honey, that must be Mr. Gelberman who taught at the high school. I’m a local myself. My Dad came out here to work for the railroad. Sometimes it still just seems like a real small town. Sure I knew him, a sweetheart of a man, quiet but so kind and thoughtful. Always had a word of encouragement, always believed in his students. I had Mr. Gelberman myself for basic science, so many years ago. And then my daughter had him for physics. That was his specialty. I was terrible at science, but Tina, my daughter, she was a very good student. He was one of her favorite teachers. How nice to think of him again after all this time.” She sighed and continued. “Tina became a teacher herself, you know, and I think it was in part because of the example of Mr. Gelberman. He was never too busy to help a student, never made anyone feel stupid, even people like me who didn’t understand a thing. He was so smart, he probably could have been a great physicist, but no, this was what he wanted, to teach high school for his whole career. Don’t know how he had the patience. Here, come on in.” She raised a latch in the railing and a portion swung out to allow me to enter the inner sanctum. She patted the empty chair next to her desk. “Sit down. Let me pull his file.” She got up and walked to the back of the room while I made myself comfortable. “Such a small world, you know. Let’s see, where would it be?”

Her description of Jack Gelberman sounded a great deal like Mrs. Freiburg’s description of Nossen Shlomo. A good man, a mensch, kind and compassionate, but quiet, not leadership material, not ambitious.

She continued looking, talking to me while she searched. Her voice floated back to me from between the cabinets and through the shelves. “I remember his son Nathan, he graduated high school with my little sister. Is it Nathan asked you to do this research?”

“No,” I called back to her. “It’s his granddaughter.”

“How absolutely sweet. Which one? Ah, I think I found it here.” She reappeared from behind a file cabinet, carrying a manila folder.

“Sarah.”

“Sarah. Yes, I remember Sarah. They moved a while ago, around the same time Mr. Gelberman retired I think, but I remember the grandkids. You know, they sort of stuck out around here, but boy were they cute. I remember running in to him at the playground. I had taken my grandkids, and he was there with his. Such a sweet man, so good with kids.”

She began to tell me about her own grandchildren, but I wasn’t listening. I nodded and oohhed and aahhed appropriately when she showed me the framed pictures of them on her desk, but I was too busy processing the information that Sarah Gelberman had been born and lived here in Altoona. Why, then, would she not have told me her grandfather had lived here? She must have known. And what did Mrs. Romero mean by telling me that they stuck out around here? Was she referring to Sarah’s bright red hair? Did all of Sarah’s siblings have the same color hair? Red hair was not common, surely, but it wasn’t that remarkable.

“So would you like to see the teaching certificate?” she asked, pulling me out of my reverie.

“Yes, please.”

She opened the folder, pulled out a yellowed certificate, and handed it to me. There it was, actual documentary proof of Jacob Gelberman’s existence. Holding a document was very different somehow than reading something on a computer screen. According to the certificate, he received a B.A. in physics from the Penn State campus in State College, Pennsylvania, in 1952. He’d continued at Penn State, getting an M.A. in physics and finishing the requirements for a teaching license in 1954. Those dates would jibe with Sarah’s information that he had been a Holocaust survivor, because it would have meant that he had arrived here at the latest around 1948. He’d worked at Altoona High School from 1954 until his retirement in 1996. The certificate also listed his previous places of employment before he began to teach. Between 1951-1954 he worked at a Seltz’s Shoe Emporium as a clerk, and before that, beginning in 1947, he worked at B. Solomon and Son’s Grocery. So he had probably arrived in 1947. It looked like a typical immigrant’s story, arriving with nothing and working at non-professional jobs, getting an education, and landing in the middle class. As a teacher he would not have been wealthy, but his family would have been comfortable, and he would have a nice pension for his retirement years.

It was all interesting information, and helped add to the picture I in my mind of Jack Gelberman. The most interesting bit of information though, was what was listed on the line next to “place of birth.” The handwriting was cramped and hard to read, but it was clear enough that I could make out the words, Chalisz, Poland. I knew from my reading that Chalisz was a variant spelling of Halizch.

I had to hold my breath for a moment. Even though I hadn’t wanted to share my doubts with Simon, in the back of my mind I’d been plenty concerned that Sarah Gelberman was leading me on a wild goose chase. But here it was, evidence on an official document. It still didn’t prove beyond a doubt that his grandfather was the Halizcher rebbe, but all evidence was pointing in that direction. How many other Jack Gelbermans of just this age could there have been from Halizch, Poland? Then again, there were still plenty of questions. I needed definitive proof, but I also needed a plan. In the meantime, I asked to see his voter registration information.

“I can’t tell you who he voted for,” she said laughing, “but I can tell you the first time he was on the voter registration rolls. That I’ve got right here.” She turned to the computer and got to work. “Been a registered voter since 1956. If he was a Republican, he would have helped get Eisenhower elected. But if you don’t mind me asking, how does that help you? Maybe it’s something I could tell my husband.”

Great, I thought, win her over by giving her a lesson in genealogy. Whatever works. “If I know when he first voted, it might give me some idea of when he became naturalized. It takes five years to become a citizen and be eligible to vote. We know from the employment records that the latest he could have arrived in the U.S. was 1947. So he should have been eligible to vote as early as 1953. Why the gap? It’s probably not significant. Either he wasn’t interested in voting until it was a presidential election, or he had just not gotten around to it until then. What it gives me is an approximate date of the latest possible time he might have arrived, which in this case I didn’t really need that since I had his employment history, but it can still be useful. And it also gives me a good estimate of the earliest time he might have arrived. We don’t know anything before 1947. If he had been a registered voter earlier than ’53, we’d have to assume he had been in the country before ’47. In this case, however, either he wasn’t interested in voting, or he really did arrive right around the time he appeared here in Altoona and started working for the grocer.”

“Wow, that’s clever!” she exclaimed. “I have to tell Anthony! Thanks for the tip.”

While I had been discussing voter registration with Mrs. Romero, the other half of my brain had been hatching a plan. This next part wasn’t going to be easy. Mrs. Romero seemed so nice, I hated to be devious. But devious I would be.

“It’s my pleasure. Thank you so much. You’ve been so helpful to me.” With as much casualness as I could muster, I said, “He seems like such a nice man, from everything I’ve heard about him. And did you know Mrs. Gelberman too?”

She smiled again. “Not well. She passed away some years ago. But she was lovely too, like him. She used to volunteer a lot, at the library, and with the Red Cross when they did blood drives, things like that. Always trying to help. Not as quiet as her husband, but still a private person. I think she also went through the war. You know. A terrible thing those people must have lived through. We don’t have a whole lot of people of the Jewish faith here, but those who are here are good people. The town made a real effort after the war to welcome the refugees and helped them get settled.”

“Were there a lot of them that came here?”

“No, not that I know of. I think just a handful of some young, single people like Mr. Gelberman must have been back then. People without families, who could make fresh starts in a place like this. Gave them opportunities to work and learn professions. We should all take such good care of each other, you know. It was a nice thing.”

“Did the Gelbermans ever talk about their experiences, that you know of?”

“Oh, no, never, not in public anyway.” She sighed. “It wasn’t done. You know, today nothing’s private anymore, with those talk-shows about sex and scandals and all, but once it wasn’t considered polite to talk about people’s tragedies and sorrows. As far as I know, and I didn’t know them well, they never spoke about it publicly. Still, Altoona was a small town then, and we all knew. There weren’t many foreigners, and with those accents they stood out. We just knew they’d gone through something terrible, but I can’t tell you what exactly. I didn’t even know he was Polish until I saw that teaching certificate just now. We just thought of him as European, maybe Austrian or something. Tina once told me that during a blood drive at school she saw his arm—he had those numbers there. She was real upset about it. But he always took care to wear long-sleeve shirts, even in the summer, didn’t want people to see, I guess. Didn’t want to call attention to himself. What people do to each other in this world, it’s terrible.”

Trying to steer the conversation back to Mrs. Gelberman, I asked, “So did they meet here in Altoona?”

She pinched up her face, thinking for a moment. “Well, that I can’t tell you, honey. I would have been in grade school then, I didn’t know them or anything about them yet. It’s possible, though. Maybe they met at the university.”

Time to go in for the kill. “But even if they met elsewhere, they might have gotten married here.”

“Possibly. Maybe. I don’t really know. It doesn’t look like he lived much of anywhere else since he got here, but who knows.”

“So, if they had gotten married here, their marriage certificate would be on record here with you.”

Wagging her finger at me, she smiled. “You’re a cute one. You know full well I can’t show that to you. As long as he’s alive, and he’s not the one asking for it, it’s against the rules. Invasion of privacy.” But she laughed nicely, to show that she wasn’t offended by my attempt. “Sorry, honey.”

“I don’t want to invade his privacy. It’s just that if I could see his marriage certificate, I might be able to find out his parents’ names. And that would be a big help in getting on with the research for Sarah. That is, for his birthday. It would lead me to the research I need to do in Europe about his family.” I decided to play it for all it was worth. With her husband working on his own family tree so she might understand. “The information on his marriage certificate is the key to the whole thing, you see.”

She cocked her head and looked at me sideways. Quietly, with a glance at the other woman in the back of the room, she said, “You know I can’t.”

“I know.”

“I shouldn’t.”

“I know.”
“It’s against all the rules.”

“I know.”

“No, I really can’t. I could get into big trouble.”

“I don’t want to get you in trouble.”

“Okay, I’m glad you understand.”

“Absolutely. Positively.”

“I’m sorry.”

“I’m sorry for asking. Sarah will be so disappointed. But it’s not fair of me to ask.”

“I wish I could help.”

“I know. I appreciate it anyway.”

“No, I just can’t.”

“I know.”

Silence. Checkmate. She sat still, checking her nail polish finger by finger, then swiveled her chair and looked at the woman at the other desk, who appeared completely engrossed in her work. She got up from her chair, took an index card and a pencil, and went to the back corner of the cavernous room, on the side far from where the other woman sat. I couldn’t see her, but I could hear the click of her heels as she searched for the right cabinet. The sound of drawers opening and closing echoed through the room. After a few moments of silence, punctuated only by the other woman’s tapping on her keyboard, I heard the heels coming closer. Mrs. Romero came around the corner of a row, and headed back to me.

“Well, then,” she said. “No, no record of that. Sorry I wasn’t able to help you.” As she spoke, she passed me the index card.

I glanced at the paper and saw that she had written the following:

                        Mother – Basya Marcusevich

                        Father – Nathan S. Gelberman

That was it! A direct connection to Yosef Yehudah, the Halizcher rebbe. Mrs. Freiburg had told me that one of Yosef Yehudah’s daughters was named Basya, and that she had married Nossen Shlomo Gelberman. Nathan was the English version of Nossen, which Jack must have thought was more appropriate for American documents. The “S.” had to be for Shlomo. And it was looking very likely indeed that Jack Gelberman was really the grandson of the last Halizcher rebbe, despite the stories that neither he nor his brother Leib had survived the Holocaust. This was amazing. With this information, it would be relatively easy to access further documentation. I looked up at Mrs. Romero, wanting to express my gratitude. But she had turned her attention to a pile of papers next to her computer. I coughed softly, hoping she would look at me. But she kept her face averted, absorbed in her papers.

“Thank you so much,” I said.

“Enjoy your stay in Altoona,” Mrs. Romero said stiffly, dismissing me.

***

The minute I got back to the hotel Simon relinquished responsibility for the kids. All signs indicated that he was extremely stressed and not happy to be here, stuck in a hotel room in Altoona with the two kids. They had already gone swimming, and visited the mini-golf across from the hotel.

Before I could even fill him in on my productive morning, he held up a hand and said, “Abby, not right now. I’m not in the mood for any of that. There’s something big going on at work, which don’t forget is the thing that basically pays all our bills, and I need to deal with it. Just let me be.”

Realizing that it wouldn’t be wise to respond with what I wanted to say, I turned the t.v. on for the kids, who were delighted at this special treat. A little bit of Cartoon Network wouldn’t scar them for life.

“Okay, Simon, give me ten minutes and the kids and I will be out of here.”

But he didn’t answer. He had plugged in his laptop and portable printer, and was already connected to the hotel’s wireless. It was clear he was mentally back at his office, even if he was physically in Altoona. “Okay, I’m here,” I heard him say into the phone.

I sat down on the bed and made some notes in my file about this morning’s events. What a lucky break I’d had. It would have been glorious if I could have gone on-line myself, but there was no way I was going to attempt that now.

As soon as I was done, I gathered the kids and we went back downtown to tour the Altoona Railroader’s Memorial Museum. Instead of being grateful or thanking me, Simon gave me a dirty look as we left the room, and barked at the kids to be quiet while he was on the phone.

The kids were enthralled by the museum. Caleb loved anything to do with trains, and Hannah had a great time playing store and house in the re-created storefronts and period rooms of Altoona history. In the heat of the moment, I bought them both train whistles in the museum gift shop, which I knew I was going to sorely regret later. On the way back to the hotel, I stretched out our time by taking the kid’s to MacDonald’s, another special treat. If you can’t break rules once in a while, why have rules to begin with? Filled up on chicken nuggets and fries, and after the whistles were confiscated, the kids fell asleep during the ten minutes it took to get back to the hotel. I called the room on my cell phone, but it was busy, so Simon must still be dealing with work. I called his cell, and left him voicemail that we were outside the hotel in the car, and that I was going to wait for a while to give the kids a chance to sleep. I knew that if I tried to put Caleb into the stroller to get him upstairs, or even if I carried him, he would wake up and never go back to sleep. Hannah I couldn’t carry anymore anyway. And if they didn’t sleep this afternoon, we were in for a rough evening at services. So I sat in the car while they slept, reviewing my notes and figuring out how to proceed. As I went through everything, I realized there were still more questions than answers.

[To be continued….]

His Brother’s Keeper is entirely fictional. None of the characters or situations described in this series are based on real people or events. Copyright (c) 2015 by Eva Hirschel.

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Some Good Books, Summer 2015 Edition

It’s been a great summer of books so far. Here is a roundup of six of my most recent reading adventures. With this edition of Some Good Books, I’m introducing a new feature in my book reviews – a rating system. I don’t want to get too competitive with this. I don’t want to hurt any writer’s feelings (I know how it feels!). And most of all, the books that I review are – with perhaps a rare exception – all good books and all worth reading.  So I’m going to use a rating system of three, as follows:

© – Good Book, but I wanted it to be even better

©© – Great Book, deeply satisfying 

©©© – Amazing Book, dazzling, blew me away

I suspect that most books will be in the ©© – Great Book category, and that only a rare book will be ©©© – Amazing Book,  but we will see.

Early Warning, by Jane Smiley ©©

41vsJlW27nL._SX334_BO1,204,203,200_This second book in Smiley’s trilogy about an American family, following Some Luck, did not disappoint. In fact it was, once again, a distinct pleasure. Like the first book in this series, each chapter is another year in the life of the Langdon family, seen through the experience of one of the extended family members. This volume begins in 1953 with the family now far-flung across the country and only a small handful still left in and around the family farm in Iowa. What was once a nucleus of a family working together to eke out an existence on the land is now a loose collection of related but diverse groups creating their own  narratives, including the next generations of the family. Their encounters with the events of the post-war years spin out in a myriad of ways, and yet there are still threads that connect them deeply to each other, often in surprising cross-generational ways. As in Some Luck, Smiley’s writing can at times seem deceptively prosaic, but the powerful beauty of this family tale shines through as the characters move through their encounters with love, loss, deception, desire, vulnerability, and all of that which makes us who we are in a constellation of others.

Mislaid, by Nell Zink ©

51PsntlX17L._SX328_BO1,204,203,200_I loved the premise of this book, perhaps even more than the book itself. The title is indeed clever. But where it may disappoint (more on that later), it is still worth a read. The plot is a challenge to the easy binaries that make up our collective narrative. Identity and self-representation, sexuality and race, are all thrown into the mix and stirred together into a murky stew. As an adolescent, Peggy aspires to be a man and believes herself to be a thespian, later corrected to lesbian. So she goes to an all-women’s college in rural Virginia, complete with a deeply metaphoric swampy lake of hidden dread.  There she meets an instructor, a louche, penniless gay poet from a local wealthy family. They jump into a sexual relationship, get married, and have two children, a son and a daughter. Because what else would one expect from a lesbian college student and her gay professor (get it, Mislaid??)? Jumping ahead a bit, she leaves him and takes just the daughter with her. The daughter is a blond, wan little girl, but somehow Peggy manages to convince everyone that they are black, so that she can successfully hide their real identities and not get found by her husband. The characters are rich and complex, but without totally spoiling things, I’ll just say that the story gets too easily gift-wrapped up with an unbelievably redemptive happy-ever-after conclusion in which everyone gets let off the hook. Still, definitely lots here to discuss and dissect.

The Sunken Cathedral, by Kate Walbert ©
51zlMF2ZtZL._SX330_BO1,204,203,200_The main character in this novel is anxiety, of the particular New York City kind. The many human beings who inhabit this novel are secondary to the free-floating anxiety that runs through the pages of this book. Anxiety about extreme weather, about a changing city and its changing neighborhoods, about the growing gap between the haves and the have-nots, about growing old and isolated in the city, about finding a way to have a meaningful life in the middle of urban anonymity – all these kinds of anxiety run through this tale. And yes, it made of an anxious reading experience. I wanted more – I wanted the characters to rise up out of the anxiety – but they did not. And yet the idea of a mighty city being at the mercy of forces beyond its control, and thereby being reshaped by forces both within (economics and changing demographics) and without (flooding as a result of climate change) are powerful metaphors for aging. The two main characters, Marie and Simone, are French immigrants who survived the war to come to the United States as young women. Close friends who have both now outlived their husbands and launched their children off into the world, they decide to take a painting class. The others who people this book are their neighbors, their children, and those they meet in the painting class. As New York submits to excess water it cannot control, the lives of these two stalwart survivors too are battered by forces outside of their control.

A God in Ruins, by Kate Atkinson ©©

41EzuQhyFfL._SX321_BO1,204,203,200_This book came highly recommended by someone whose taste in books I respect, and so I dove in. But I admit that I was surprised to like it as much as I did. This story tells the tale of the 20th century through the character of Teddy, first a beloved young boy in England, an aspiring poet, then a pilot in the war, and later as a husband, father, and grandfather. Surprise is indeed a major element in this tale, as Teddy’s life continues to unfold in unexpected ways. Surviving the war, when so many British pilots did not, is one of the main elements that makes Teddy who he is. Having accepted the idea that he might never have a future, he has to figure out how to live in that future. Again and again, he encounters situations he never expected to have to face, and manages to find a way through. There is nothing remarkable about Teddy, yet his kindness and compassion make him a character worth caring about. And then Atkinson plays with us, taking away what she has just given us readers, and poses the very writerly question: what if? What if indeed. That is the question that the writer wrestles with in the privacy of his or her own head, the very core of writing fiction. Writers do not generally expose this question to the reader. But Atkinson puts the question right out there and asks us to wonder along with her: What if…

Life After Life, by Kate Atkinson ©©

41wEB2EBqOL._SX327_BO1,204,203,200_This novel came before A God in Ruins, which was written as a companion to it. But I read them the other way around, and so my reading of this one is informed by having read them in this order. The characters in Life After Life are much the same as in A God in Ruins, though with different focus. The novel centers around Ursula, Teddy’s older sister. Teddy himself appears at certain moments, as do other members of their family. But Ursula is the main attraction. Like A God in Ruins, this novel is a tale of the 20th century told through the story of one person, in this case Ursula. Born in 1910 on a snowy night when the doctor can’t through to the house, she is miraculously saved. Or is she? In fact, she dies before she can draw her first breath. Or does she? Throughout her life, Ursula dies, over and over and over, coming to various experiences and ends, or not. Through the life, or lack thereof, of Ursula, Atkinson explores the ideas of chance and destiny, of the impact that one person has on the world and those around him or her, and the question of what can happen if just the slightest change is made in one’s routine. If “a” happens, does it necessarily lead to a life of “b”? But if one can avoid “a”, then can one avoid “b”? One small act can lead to life of utter misery, or even death, while a different and equally banal act can lead to life of joy. It is the eternal question of the road not taken, and an exploration of how one small choice can cause a life to cascade into a completely different future. Though this kind of device could become kitschy or even annoying in some hands, Atkinson manages it masterfully, and creates a captivating reading experience in which it’s hard to put the book down.

 The City of Devi, by Manil Suri ©©©

41KUOSX-YCL._SX331_BO1,204,203,200_Looking for a Bollywoodesque post-apocalyptic novel set in India complete with Hindu gods and goddesses as well as superheroes (and if you’re not, why aren’t you?!)? Look no further. Just want a great, absorbing book with compelling characters and an unusual plot? This won’t disappoint. This volume, the third in Suri’s trilogy based on Hindu deities, manages to combine both absurdly, almost comically, exaggerated and deeply universal human elements. Told from the point of view of two very different but (as it turns out) related characters, this moving tale unfolds after havoc has been wrecked on the civilized world. A 9/11-like event has occurred on an international scale, creating worldwide instability. Unfettered capitalism, power grabs, religious-based and political-based terrorism, and the undoing of the technological infrastructure have combined to create a desperate situation in which two strangers, Sarita and Jaz, both set out to search for their missing loved one, becoming entangled along the way. Beyond its over-the-top backdrop and its frenetic pace, at its core this is a story of love, survival, and the universal need to create connections.

Coming Up…

Looking forward, the Man Booker Longlist was recently announced. My next edition of book reviews will focus on titles from that collection.  So far, I’ve read 2 and they have been quite good indeed.  In the meantime, happy reading.

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Some Good (Audio) Books – Summer 2015 Edition

I’ve been doing a lot of long distance driving lately. It’s not my favorite activity, and I’ve been getting bored of the usual music and podcast combo that generally keeps me engaged enough to get where I’m going. So I decided to try a new method and listen to some books I wouldn’t actually take the time to read. Memoirs sounded like the perfect fit.

I would normally argue that there’s no difference between a book you read and a book you listen to, but five audiobooks later I’m changing my tune.  Just like ebooks allow for certain capabilities not possible in a printed book (i.e. embedded links or, yes, audio), the same is true for an audiobook.  Done well, and in particular when read by the writer, an audiobook can provide a unique experience.

I decided to go with memoirs because I love stories about people – what makes them tick, what made them who they are, what they care about, why they care about it, how they become who they are. There’s always something to learn from hearing someone reflect back on their life. And what a bunch I chose – two actor/comedians, one writer, another actor, and one singer-songwriter. All famous people with public personas.  Listening to their stories of self was like being intimately immersed in these five very different people, or at least, the parts of their stories that they chose to share publicly.

So here is a review of my recent reading, or, well, listening, experiences.

Bossypants by Tina Fey

51xednLHwiL._SL150_This book has interested me for a while, but truthfully, never enough to make me actually want to take the time to read it. But listening to it while driving to western Pennsylvania and back was definitely a worthwhile experience. We all know Tina Fey is wickedly funny and smart. Bossypants showed off both these part of Fey, and filled in a lot of her background along the way – how she got to be the Tina Fey we know and love. She shares some information about her formative years, and talks about the experiences that have mattered to her. There’s some delicious behind-the-scenes discussion about her time at SNL and 30 Rock. Her descriptions of the ways that sketches got created, and what she and her colleagues found to be funny and why offered great insights into comedy. The best was when she discussed the experience of creating her version of Sarah Palin. Other moments are poignant, like when she talks about being a mother, or passionate like when she talks about being a woman in comedy, or complex, like when she talks about body image issues. Her intelligence and drive to succeed shine strongly through her narrative. The best part though is that she narrates the audiobook herself, and, you know, she’s  Tina Fey. When you listen to this audiobook you get 5 hours and 35 solid minutes of Tina Fey talking to you. What could possibly be wrong with that?

Yes Please by Amy Poehler

512QYi8RoLL._SL150_Naturally, after listening to Tina Fey recount her adventures at Second City and then SNL, the next audiobook choice had to be her friend and colleague, Amy Poehler.  Yes Please, thankfully narrated by Poehler herself, was definitely the perfect companion book. Poehler lets loose a little more than Fey does, inviting guest speakers to read and talk as part of the audiobook experience, and being, at times, not entirely diplomatic about her opinions (and that is not criticism – bring it on!). Her parents have a few cameo appearances, as does Seth Meyers and a few others. She really had fun with the concept of doing an audiobook and it was appreciated by this listener. It was fun to hear another perspective on some of the same events that Fey narrated in her book. Again, as in Bossypants, I really enjoyed hear Poehler talk about being a woman in comedy – with lessons easily applicable to other fields – and what got her to where she is today. She talked about her childhood and family, about her marriage and her children, letting us listeners in just enough to make us relate to her and to care.  It’s hard to imagine that this loosely stitched together collection of often wonderfully irreverent anecdotes would have held up well as a regular book, but in audio format it was a great way to get across a bunch of highways in upstate NY and back home again.

The Seven Good Years by Etgar Keret

41z0LNwINUL._SL300_I was sure this one was going to be a home run. Keret is a great writer, and how exciting to get to learn more about Keret the person. And it is indeed a great book qua book – audio or not. Keret’s signature quirky humor is in evidence, and it’s even more powerful when he’s writing about his own life and not just a fictional one. In his typical terse style he shares glimpses of his childhood, his teenage years, his marriage, his son, his parents, and his career.  He is the child of Holocaust survivors, a fact which greatly shaped who he is, and a cynical, conflicted Jewish Israeli who both loves his country and struggles with its legacy. The slices of his life that he shares may be framed in short chapters, but they are dense in their complex mix of the mundane and the profound.  This memoir seems like a great collection of short stories until you remember that he’s actually talking about his own life. The only disappointment, and it is a significant one in an audiobook, is that Keret did not narrate the book himself.  That may be too much to expect given that it’s a translation, but the narrator was not properly prepped in Hebrew pronunciation. Each place name or expression that he mangled was a jarring disruption in an otherwise captivating story.  This is a powerful memoir, but given the narration should probably be best experienced as a good old regular read and not as an audiobook.

Not My Father’s Son: A Memoir by Alan Cumming

51jAVEiZFEL._SL300_This gets top marks in this batch of books.  It is, first of all, a seriously good memoir. Though it could have used a little editing (sorry, I can’t help it) it is a compelling story and wonderfully told. This isn’t just a “how I became the great and famous me” kind of narrative. Instead, using a construct of “then” and “now” episodes, he contrasts events in his childhood with an ongoing story in his adult life, both of which revolve around his sense of self and identity. The bonus is that Cumming narrates the book himself and oh – that voice!  That accent! He’s a fine actor and he knows how to use his voice to great affect to tell his story.  And what a story.  There are two mysteries at the heart of this book, one about himself in relationship to his abusive father, and one about his elusive and absent grandfather. The two parallel tracks work together beautifully, so that at times it was possible to forget that this was the story of a famous actor and to just experience a compelling tale of love and abuse, acceptance and anger, coming of age, and coming into one’s own.

A Natural Woman: A Memoir by Carole King

51s1b3hLFNL._SL300_I am a huge fan of Carole King. I was raised on her music by my parents who identified with her scrappy Brooklyn, Jewish background. She even went to the same high school as my father. I have all her albums, including “Really Rosie,” and loved the broadway show based on her life story. But the book is disappointing. Her story itself is interesting, as in “nice Jewish girl makes good” and her experience in the music industry, especially in the early years of rock and roll, is fascinating.  There are some great details along the way, like the fact that she was a freshman at Queens College with two other Jewish kids who also liked to sing named Artie Garfunkel and Paul Simon. She certainly had admirable amounts of pluck, chutzpah, and self-confidence that got her far.  And to be fair, the story she tells isn’t all one of happiness and success – she is open about some of the painful details of her life.  But Beautiful is in serious need of a strong editorial hand, or a better ghost writer. It is cliched and way too long, and even the interesting parts are so poorly written that they come out sounding trite. And as much as I love King’s singing voice – and there are some highlight moments throughout where she breaks into song by way of illustration – this is one case where the author does no favor to the listener by narrating her own story.

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